Olive Films further cements its place in the hearts of Unreal TV and other classic film lovers with the Olive Signature October 25, 2016 Blu-ray of the 1952 amusing change-of-pace John Wayne/Maureen O'Hara romantic dramedy "The Quiet Man." This story of retired boxer with a past Sean Thornton returning to the sod and experiencing love at first sight on laying eyes on feisty local lass Mary Kate Danaher is also a change-of-pace for Westerns director/frequent Wayne collaborator John Ford.
Olive expressing well-deserved favoritism for "Quiet" shows that that company awesomely is in the home-video business for the art, rather than the commerce. An upcoming releases of Orson Welles' "MacBeth" provide additional proof that Olive chooses wisely regarding adding films to its catalog.
The Best Director Oscar for Ford of the so much more than an oater Wayne/Jimmy Stewart classic "The Man Who Shoot Liberty Valance" further illustrates that his range extends miles beyond stampedes and shootouts. The Best Cinematography Oscar reflect the beauty of "Quiet," which looks and sounds spectacular in Blu-ray, shot in Ireland. It will make you want to hop the first flight to the Emerald Isle.
The following YouTube clip of the SPOILER-DRIPPING theatrical trailer for "Quiet" showcases the charm and humor of the movie.
This boy-meets-girl fable begins with Wayne's Thornton arriving at the train station five miles from the village that at least two generations of his family called home and where he spent his early childhood. The locals who operate the railroad providing conflicting and misleading directions both gets the Irish charm of "Quiet" off to a good start and is reminiscent of the humor surrounding the Cannonball train in the '60s rural sitcom "Petticoat Junction." Comparable quaintness throughout the film comes in the form of a few Irish folk songs.
Thornton seeing O'Hara's Mary Kate in the field while riding in a horse-and-buggy to his destination accelerates the film to the nice leisurely first gear pace that continues through most of the story.
One underlying conflict develops when Thornton visits the wealthy widow who owns the former Thornton homestead. In romcom style, Mary Kate sibling /Thornton land neighbor Will has been trying to buy that property for years. Their bidding war is one of the best scenes in a film that lacks any bad ones.
Thornton gets with the program better regarding agreeing to respect the local courting rituals. An early step in the process has his hiring drink-loving matchmaker Michaleen Oge Flynn (perfectly played by Hollywood royalty character actor Barry Fitzgerald) to conduct the necessary negotiations and to otherwise do things "properly." Of course, the Danaher brother does his best to show that where there's a Will, there's no way every step of the way.
Irish charm and cunning get our hope to be happy couple to the altar, but the honeymoon is over before the pair hits the wedding night sheets. The Will-induced distress regarding his unhappy bride strains the resolve of retired pugilist with a tragic past Thornton to not break his vow to engage in fisticuffs again.
All of this leads to a very satisfying climax in which both tradition, pride, and personal standards are adequately honored in a manner that is very true to the setting of the film. One can only hope that they rolled out the green carpet for the theatrical premiere of "Quiet."
The extras include a booklet with the aforementioned essay by Olive and great stills and theatrical posters. The tons of special features include commentary by a Ford expert, a Leonard Maltin "making of" documentary a tribute to Maureen O'Hara, and much more.
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