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Friday, July 3, 2020

'The Uncondemned' DVD: Documentary on Trials and Tribulations of Prosecuting Rwanda Crimes

Virgil Films contributes to its growing impressive non-fiction catalog (see "Virgil Films" section of this site) with the DVD release of the 2015 film "The Uncondemned." This documentary about three young Americans who are adequately woke to get involved in prosecuting a rape case in Rwanda adheres to the good documentary model of putting a human face on a larger story to teach viewers much more than we learn in news accounts. 

The accolades for "Uncondemned" include a Social Justice award and a separate "Film of Conflict and Resolution" honor at the 2015 Hamptons International Film Festival. 

The following YouTube clip of an "Uncondemned" trailer compellingly introduces both the human faces and the larger events.


Primary subject American attorney Pierre-Richard Propser promptly provides proper perspective. He recalls being aware of the genocide and the other atrocities in Rwanda in 1994 but seeing nothing but O.J. coverage on American newscasts. This compels this prosecutor to do a form of Peace Corps service by offering his services to the overwhelmed judicial system that is seeking to put the accuseds on trial for their charged offenses. 

We similarly see recent law-school graduate Lisa Pruitt offer her services as an investigator, Her rude awakening in the form of an indication that no good deed goes unpunished fortunately is not the end of the story.

The human faces of the story also include the numerous women who very bravely volunteer to testify at the trial of a mayor who is facing war crime charges for his role in a series of rapes. Witness JJ steals the show for many reasons in addition to beer apparently being the only beverage that she drinks.

The O.J. element re-enters the film in the form of copious footage of the trial of the mayor. We see the same adversarial legal tactics and reversals for both sides that make "The Trial of the Century" so fascinating, 

All of this ends with the verdict. The courtroom drama this time is that any outcome is noteworthy. A conviction clearly shows that the new sheriff in town will not let the sins of the recent past go unpunished. A finding of not guilty will show that justice massively has not prevailed. 

Tuesday, June 30, 2020

'Code Blue: Redefining the Practice of Medicine' DVD: Food for Thought About Lifestyle Medicine

The Virgil Films June 9, 2020 DVD release of the 2020 documentary "Code Blue: Redefining the Practice of Medicine" truly could not come at a better time. This propaganda for lifestyle medicine offers a way to avoid falling into the clutches of shamelessly greedy medical corporations (I'm talkin' to you Lifespan of Rhode Island) with laughable non-profit status at a time that every measure of national health is collapsing. The film also promotes going vegan at a time that meat-processing plants are disease ridden and the one package of steak that we are allowed to buy costs $15/pound, 

The highly personal nature of the topic to narrator/activist Dr. Saray Stancic justifies a brief detour into Blogland to share previously private relevance. Your not-so-humble reviewer has a hereditary disease with a fairly definite expiration date. My highly significant other telling me soon after the diagnosis that only eating vegetables would be beneficial and my replying "yeah, like I'm gonna do that" alone directly speaks to "Code." Coincidentally then eating a bowl of magically delicious Lucky Charms speaks even more directly to the film. On a better note, I have maintained a long-standing habit of using my elliptical machine at full force for one hour a day every other day.

The big picture is that I am adhering to Agnostic Science in that I recognize the possibility that the disease will go away on its own. 

Before returning to our regularly scheduled programming, I will add that the aforementioned avarice of Lifespan and its ilk is preventing getting monitoring and related treatment. Lifespan disregarding the coding of a blood test with a roughly $50 out-of-pocket price and conducting a $6,000 test for which it wanted (but did not get) $2,900 out-of-pocket is consistent with my experience with that company. Sadly my insurance company, which gets roughly $550/month directly from me, and my doctor repeatedly have stated that there are no means to prevent Lifespan from doing the same in the future. Sadly, that behemoth corporation essentially is the only game in town in The Ocean State. 

Stancic expresses similar outrage by clearly expressing anger regarding the very valid point that doctors are not expected to live in poverty but are obliged to not pursue outrageous fortune at the expense of the quality of care that they provide patients. 

The strong advocacy of Stancic for lifestyle medicine stems from an out-of-the-blue (no pun intended) MS diagnosis during the third year of her residency. The not-so-great prognosis begat investigating lifestyle medicine, which begat her activism, which begat "Code."

The early research of Stancic includes reading "The China Study" of T. Colin Campbell, Ph.D. Campbell appears in "Code" to discuss his analysis of the dietary habits of the people in several Chinese communities. His discussing the average lifespan of the studied population is akin to a '70s-era commercial that attributes the longevity of people in a Russian village to consuming large quantities of yogurt.

Another medical practitioner amusingly tells of a hospital gift shop selling cigarettes and of the heavy consumption of that product by the doctors on staff. Another general hospital tale is of the highly lucrative practice of performing bypass surgery. This relates to the not-so-hidden secret that doctors and hospitals alike amass large fortunes from operating (no pun intended) pill mills and performing assembly-line level medical procedures. 

Stancic wraps up "Code" with a charming portrayal of the current crop of medical students that are embracing lifestyle medicine. This includes some future physicians taking a course in healthy cooking and a youthfully exuberant student sharing plans to pursue a career of teaching lifestyle medicine. Time will tell if all this idealism survives the burden of long hours in internships and residencies, as well as the lure of the numerous shiny toys that having M.D. after your name provides a chance to buy.

The bottom line this time is that Stancic shows how placing the wants of the few over the needs of the many are putting many of us in premature graves. She seriously is invited to reach out to me if she thinks that she can help. ​

Friday, June 26, 2020

'Temblores' DVD Sensitive Character Study of Middle-Aged Man Coming Out

The recent Film Movement DVD release of the 2019 drama "Temblores" is the perfect Pride Month movie for anyone over the age of 13 who is anywhere along the Kinsey Scale. Writer/director Jayro Bustamante not sugarcoating anything and opting out of a Hollywood ending alone make the film one to watch.

The 13 festival wins for "Temblores" further speak to the quality of this film that IMDb describes as follows. "The coming out of an evangelical father shatters his family, his community and uncovers a profoundly repressive society."

The below Movement trailer for "Temblores" highlights the live-stage vibe of this compelling story about upper-middle class middle-aged Pablo choosing a relationship with working-class Francisco over his life with well-heeled and well-bred wife Isa and their two children.



Our story begins on a highly melodramatic note; a clearly frantic Pablo rushes home and ignores the intervention-style gathering of relatives to lock himself in his bedroom. This, of course, prompts great concern by the assembled group. Many who are familiar with real or reel gay trauma and drama can predict that the cause of death-of-a-beloved level angst relates to a gay issue. Blatant symbolism as to this includes a literal tremor literally threatening to bring down the house as Pablo and his family contend with his new normal. 

The resulting bedside confrontations range from heart-felt sympathy to not-so-righteous indignation as to Pablo being a fallen man in this particular sense of that term. The fact that that Pablo remains stricken and distraught without overdoing it is a primary example of Bustamante keeping it real.

The action then shifts to somewhat grungy bar where Francisco simultaneously introduces his new significant other into both his life and "the life." Although Pablo does not seem to have buyer's remorse, it is clear that he is experiencing an especially rude awakening. This relates to the frequent "Temblores" theme of many gay men not having it easy. 

All this leads to Isa prohibiting Pablo from having any contact with his children; this coincides with a wolf in sheep's clothing not-so-subtly moving toward filling the Pablo-sized void in the life of Isa; truly no double-entendres are intended.

A relative calm in the middle of the film leads to a rebuilding of drama as the true sexual orientation of Pablo increasingly is seen as an addiction by his family. Intense distress as to all that he has given up prompts our family man to enter conversion therapy that ironically seems as if it would result in even the most straight man in the world to lose all interest in women. 

This leads to the aforementioned not-so-happy ending in which Pablo decides the extent to which he will sacrifice the needs of the few to satisfy the needs of the many. 

Movement supplements "Temblores" with the short "Black Hat," which is the Film Movement Award winner at the 2019 San Francisco Jewish Film Festival. This less dramatic look at a family man on the gay end of the Kinsey Scale uses the titular head covering as highly symbolic as a religious item and the public persona of the man. The hat coming off allows him to be more true to himself.​

Friday, June 19, 2020

'Star Trek Short Treks' DVD and BD: Boldly Going Where No 'Trek' Series Has Gone Before

The CBS Home Entertainment June  2, 2020 separate DVD and Blu-ray releases of "Star Trek Short Treks" lets non-subscribers of CBS All Access enjoy these these charming streamisodes of "Star Trek: Discovery." Each of the 9 shorts allows characters great and small a chance to shine. A glaring omission is Lt. Commander Paul Stamets, whom everyone's favorite rent-boy Anthony Rapp seems born to play.

The icing on the cake is the truly special features, which include "making-of" bonuses, with which CBS pairs each short.

All Access awesomely does some of the heavy lifting for this post; it perfectly describes this series as follows. "'Star Trek: Short Treks' are approximately 10-15 minute stand-alone short stories that allow fans to dive deeper into the key themes and characters that fit into Star Trek: Discovery and the expanding Star Trek universe."

The following 2019 ComicCon trailer for "Treks" expertly conveys the strong production values and great underlying humor of these films.


The earlier shorts, which begin with quirky Ensign Tilly in an equally odd story, have strong merits that fully reflect the "Trek" spirit. However, the later ones that jump ship and move to the Enterprise are personal faves. 

A favorite among this group is the fantabulous "The Trouble With Edward." Former Enterprise science officer Lynne Lucero is the new captain of a science ship when mad scientist in the truest sense of that term Edward Larkim (H. Jon Benjamin of "Bob's Burgers" and "Archer" fame)  commences the trouble with tribbles. The morals this time are that you should not mess with Mother Nature and that over population can be a deadly problem.

​Larkin easily has the best of countless memorable moments when he cops an epic "not my problem" 'tude despite being the architect of the threat. 

"Q&A" awesomely has Ethan Peck (Spock) and Number One (Rebecca Romijn) pair up as the latter greets the former on his arrival on the Enterprise to commence his service on that vessel. The best is soon to come when the "Treks" writers resort to the old "stuck together in an elevator" trope. Suffice it it to say that emotions do run high. 

"Ask Not" is another very strong outing; this one features Captain Pike mercilessly testing an enterprising wannabe. It fully shows how it is determined if someone has the right stuff to serve on that crew. 

The bigger picture this time is that "Treks" allows Trekkers, Trekkies, and the unenlightened alike a solid two-hours (plus extras) of stories that each are worthy of full-length episodes.

Tuesday, June 9, 2020

'Seeds' DVD: Dickensian South-of-the-Border Coming-of-Age Tale

The TLA Releasing DVD release of the 2017 Mexican drama "Seeds" (nee "Cuernavaca") shows both that everything is relative and that relatable growing pains can be traumatic. The accolades for this Dickensian coming-of-age tale include the Best International Feature Award at the 2018 Borderlands Film Festival and three honors at the 2018 Films Infest. 

The following YouTube clip of a "Seeds" trailer provides a sense of the angst of central character Andy; the glimpse of the wonderful cinematography reinforces the hope of a future Releasing Blu-ray of the film.


Tween Andy is a Dickens stereotype in that he is small, quiet, pale, and classically blond. Sadly, nothing about him even early in the film supports the theory that people with that hair color have more fun.

Andy literally is clinging to a connection with his absent father in the opening scenes; his early interaction with his essentially single mother is very reminiscent of the parent-child relationship in "The Sixth Sense." This is down to Mom picking up a despondent Andy after a typically depressing day at school.

Rare mutual joy in the lives of Andy and his mother is short lived. Their grand afternoon out is continuing with ice cream when a "sliding doors" moment leads to Mom, rather than Andy, becoming the victim of a violent crime. This contributes to especially strong survivor's guilt.

The Dickens vibe initially picks up on the authorities being unable to locate the father of Andy to care for him during the hospitalization of his mother. This leads to the boy travelling to the titular rural suburb for a temporary relocation to the guava orchard of his firm but fair (functioning alcoholic) grandmother Carmen. The DVD liner notes state that Carmen portrayor Carmen Maura has a history of collaborating with Pedro Almodovar.

The eccentric members of the household include an aunt with Down's Syndrome, who provides a herd of cats with unnecessary ongoing medical care. There also is young fieldworker/kitchen helper Esmeralda, who essentially is child labor. 

The guava of the eye of Andy is teen gardener Charley. Part of the artistry of "Seeds" is ambiguity regarding whether the younger boy sees the older one as a cool guy, a brother figure, a substitute father, or an object of carnal affection. Similarly, the feelings of Charley toward the boy are not very clear for much of the film. 

One clear aspect of the Andy/Charley relationship is the latter taking advantage of the other. The boy being relatively wealthy, lonely, smitten, and otherwise vulnerable paves the way for Charley to con him. The aforementioned susceptibility to being taken includes Andy being desperate to reach his father to rescue him from his unfortunate circumstances. This includes the very Dickensian threat of boarding school. 

Charley also provides context for the form of class divide that is common in Mexico and not unheard of El Norte. His modest home in his working-class neighborhood is just beyond a symbolic gate in an equally symbolic wall on the estate of Carmen. Further, Carmen heads an unofficial group of "respectable" members of the community that is seeking to run Charley and his kind out of town.

Twin drama ensues as Charley persuades Andy to fully betray his grandmother at a time that the prodigal son at least is back for a short visit. The two lessons here are to not invite the beast into the parlor and that a leopard never changes his spots.

The impact of all this on caring and trusting Andy is adequately heartbreaking to set "Seeds' apart from more cookie-cutter coming-of-age stories. Those films typically have the boy with at least strong gay tendencies end up with the right person and come out the other end of a traumatic experience wiser but not permanently sadder. 

The first difference here is the nature and nurture combine to make Andy much more delicate than the typical emo twink boy next door who is starting to look at either his childhood friend or the new guy in school in "that way." Our lead seems destined either to spend his teen years locked in his room reading or shooting up the cafeteria at lunchtime. Either way, you cannot help feeling very sorry for him and hoping for the best.

Friday, June 5, 2020

'30 Rock' Blu-ray CS: SNL Meets MTM

[EDITOR'S NOTE: This updated post on "30 Rock" CD BD reflects the enhancement of this MCE release that a desire to timely post an article on prevented including in the original post.]

Mill Creek Entertainment aptly continues to show that it has come a long way, Baby as to the April 21, 2020 complete series Blu-ray set of the "Must-See" 2006-13 Tina Fey/Alec Baldwin sitcom "30 Rock." This release both follows comparable MCE releases of the woman-oriented sitcoms "The Unbreakable Kimmy Schmidt" and (reviewed) "The Mindy Project." 

Aside from allowing freeing up valuable real estate that the older single-season DVD sets of "30" occupy, the BD versions  of the episodes are much crisper and clearer.

The Rock solid set also makes the MCE roots of producing bargain sets of public domain series a distant memory. This truly is not your father's (or mother's) MCE. 

The numerous Emmy and Golden Globe wins, not to mention the copious nominations, for "30" reflect its talent for walking the tightrope between daring comedy and offensive content. Having a supporting character named "twofer" based on being black and a Harvard guy nicely reflects this.

The series centers around "The Girlie Show" (aka TGS) head writer Liz Lemon, who is an alter ego of Lemon portrayor/"30" creator/producer/SNL alum Tina Fey. Lemon is a neo-modern version of Mary Richards of "The Mary Tyler Moore Show" in that she is one of the boys in a male-dominated industry and workplace.

Lemon is quick to volunteer information about her unusual menstrual cycle and is equally candid about her horrific eating habits. Viewers also get to see a parade of male suitors that mostly are played by A-list celebrities that include Matt Damon and John Hamm. 

Alpha-male Jack Donaghy (Alec Baldwin) is a much wealthier, more sophisticated, and more ruthless version of "Moore" boss Lou Grant. Donaghy being the head of both microwave ovens and network television is one of many ways that "30" lampoons General Electric ownership of "TGS" network NBC; the many ways that "30" doubles down on the subsequent Comcast acquisition of NBC includes pitting Donaghy against a equally ruthless teen rival played by Chloe Grace Moretz.

Much of the aforementioned "balancing act" of "30" relates to Donaghy being a poor Irish boy from Boston made good. Casting series regular/show business legend Elaine Stritch as his bigoted and cruel mother Colleen is a series highlight; an episode in which Jack backs his car over Mom is one of many that makes "30" "must-see." 

A "sit" that drive much of the "30" "com" is established in the pilot. A desire to expand the appeal of "TGS" prompts hiring loose-cannon black actor Tracy Jordan (Tracy Morgan), who can be considered the love child of Eddie Murphy and Martin Lawrence.

An S7 episode in which Jordan dreams that he is Morgan is one of the many ways that "30" breaks the fourth wall; a hilarious S1 outing in which actual product placement is heavily featured in a debate about incorporating that into "TGS" is an even better example of the series keeping it real. 

Series executive producer Lorne Michaels also gets his lumps in ways that extend beyond "TGS" portraying the dark side of Michaels' series "SNL." A direct barb at the ego of Michaels further shows a lack of fear as to "30" biting the hand that feeds it.

The copious ethnic humor related to the outrageous personal life, work-interaction, and "TGS" characters  of Jordan is a prime example of "30" keeping the real-life NBC standards-and-practices team on its toes. One can only imagine the bargaining that must have occurred as to allowing a portrayal of Black Hitler. 

The numerous underlying causes of Jordan-related chaos include his arrival triggering hysterical (in both senses of the word) jealousy in former sole headliner Jenna Maroney (Jane Krakowski). This actress whose talents do not justify her divatude fully shines as to her "Baby Jane" level demands for attention and alternating rivalry and partners-in-crime attitudes as to Jordan. One of her top moments involves purposefully acting out in response to a sense that Jordan is receiving better treatment than her. 

The entire "30" team earns extra credit for an S7 storyline that curses Lemon with a close ongoing relationship with two persons who hilarious emulate her work problem children.

America's Princess Carrie Fisher is a top contender for a best guest star among a large group that include Paul Reubens and Steve Martin. Fisher plays Lemon idol Rosemary Harris, who is a former female writer for a '70s "Laugh-In" style variety show. Suffice it to say that the decades have not been kind to Harris.

"Laugh-In" also is relevant as to what makes the appearances of Fisher and her peers so memorable. Ala Richard Nixon and other notable "Laugh-In" guests, the "30" visitors fully embrace the spirit of the series. This includes Hamm playing a boyfriend of Lemon who is oblivious to getting special treatment based on his good looks. 

The special appeal of all this is that "30" displays all this 20th-century spirit in a 21st-century era that is characterized by a distressing refusal to recognize the context of "offensive" humor. It aptly is beyond awesome that NBC (and MCE) do not consider that independent spirit a dealbreaker. 

The copious bonus features include a hilarious table read and a studio tour by the always entertaining Fey. 

MCE supplements this with a plethora of bonus features that include interviews and gag reels. 

Wednesday, June 3, 2020

'Once Were Brothers: Robbie Robertson and The Band' Blu-ray, DVD, Digital: One More Waltz for Epitome of Folk Rockers

The star power in front of and behind the camera as to the 2019 documentary "Once Were Brothers: Robbie Robertson and the Band" is enough to make the Magnolia Pictures May 26, 2020 Blu-ray, DVD, and Digital releases of this tribute to that quintet must-see for the broad demographic to which it appeals. The underlying blockbuster-worthy tale seals the deal. 

The aforementioned behind-the-scenes talent includes executive producers Martin Scorsese, Ron Howard, and long-time Howard production partner Brian Grazer. Director Daniel Roher gives PBS darling Ken Burns ample reason to look over his shoulder.

The titular frontman is the tip of the iceberg as to the Hall of Fame musicians who make up the talking heads (sans David Byrne) in the film. We hear quite a bit from former "Band" member Eric Clapton, former frontman for the titular band of brothers Bob Dylan, and devoted fans Bruce Springsteen and Peter Gabriel.

The festival love that verifies that "Robertson" gets its material down pat includes a 2020 Palm Springs International Film Festival Best of the Fest award for Roher. The 2019 Whistler Film Festival expresses its regard via a World  Documentary Award win.

The following compelling trailer for "Robertson" highlights the charm and insight of Robertson, who narrates the film. We also get plenty of PG stories of sex, and drugs, and rock-and-roll that are de rigueur for any group of musicians. 


Robertson awesomely starts his tale as a Toronto teen in the '50s; this early tales remind us that the adolescents of the Great White North are just the same as the kids living south of their border.

The "When It Began" (apologies to disgruntled father-in-law Dylan) tale continues with Robertson sharing how he and future fellow "Band" mate Levon Helm come to join the Hawkmen of Canadian idol Ronnie Hawkins. The admiration that Hawkins expresses for Robertson in the documentary is one of many examples of a mutual admiration society in this feel-good film in an pandemic era. 

The "its complicated" nature of the relationship between Robertson and Helm drives much of the film; Team Scorsese chooses wisely in initially depicting Helm as an infectiously enthusiastic lad and going on to show how he succumbs to the Bieber Syndrome that seemingly infects every Disney Channel star. 

The Dylan connection also makes for good entertainment; we see how domestic and foreign audiences react to that rock god putting Team Robertson on the payroll; the course of that relationship is another aspect that screams for Howard to make a big-budget biopic about Robertson.

We further learn of the history behind Scorsese adopting this project; a segment in "Robertson" focuses on the "Band" 1976 concert film "The Last Waltz," which turns out to be a swan song for that group, that Scorsese films. A memory of Clapton as to that event further proves that Robertson is a guy with whom one would enjoy sharing a Molson.

The big picture this time is that films like "Robertson" strive for the same goal as this site; namely, to keep American pop culture alive for as long as possible. We are very lucky to be able to hear from this guitar hero. He was there at the beginning, successfully kept up with the times as they were a changin', and is still around to coherently tell his tale. This sadly literally makes him part of a rapidly dying breed.

Monday, May 11, 2020

'Gunsmoke 65th Anniversary' CS DVD: What Becomes A Legend Most


Doing justice to the CBS Home Entertainment May 5, 2020 epic CS DVD release of the complete-series 65th Anniversary Edition of the 20-season "Gunsmoke" is impossible as to the limitations of these posts. As such, these musing are based on the first handful of the 1955 episodes and the Final Four from 1975. An awesome aspect of this is that last are just as sublime as the first.

Hope for a better tomorrow that is slightly easing Covid-related angst include thoughts of watching every "Gunsmoke" episode in a post-pandemic world that is more conducive for properly savoring gems from The Golden Age of Television. 

CBSHE shows its usual overall integrity and its love for "TV Land" shows by simultaneously releasing "Gunsmoke" S20 on DVD on May 5, 2020. A major peeve of your not-so-humble reviewer is home-video companies releasing all but one or two seasons of a series and subsequently releasing that program in a CS set that REQUIRES either buying several duplicate seasons or forgoing the whole enchilada.

Sincere advice as to "Gunsmoke" is to treat yo self to the sturdy and stylish CS gift set and pass along individual season sets either to current fans or to "non-believers" who suffer from the past prejudice of your not-so-humble reviewer as to Westerns. "Gunsmoke" is a prime example of oaters being about so much more than cattle rustlers, saloon fights, and high noon showdowns.

The numerous timeless themes, such as prejudice and the conflict between the law and justice, in "Gunsmoke" evoke thoughts of a fellow TV Land classic. Comedy deity Carol Burnett has said in a recent interview that her eponymous variety show aces the test of time because funny always is funny.

"Gunsmoke" also reflects the wisdom of another couch potato god. The wisdom of Garry Marshall as to "Happy Days" is that a sitcom that is made in the '70s and the '80s that is set in the '50s never will look dated. The expertly digitally remastered "Gunsmoke" episodes that make even the S1 offerings look and sound crisp and clean validates the Marshall Plan.

S1E1, which is in awesomely sharp black-and-white and is 30-minutes. starts with an A-List endorsement that the syndicated version likely omits. The opening scene is of western movies legend John Wayne praising the work of James Arness, who plays U.S. Marshall Matt Dillon in all 20 seasons of "Gunsmoke," in this new series. 

Another twist is that S1E1 next opens in a manner that seems to disappear within a few episodes. We hear voice-over narration of Dillon pontificating as he walks through the cemetery on the hill above his home turf of Dodge City, Kansas. 

S1E1 then sets a tone to which the series remains true for two decades. This one revolves (pun intended) quick-draw Dan Grat facing justice for gunning down a man whom Grat did not know was unarmed when he acted with extreme prejudice. Grat going on to plug Dillon early in their first contact is one of likely hundreds of times that Dillon takes one for the team during the run of the season.

A young but still cranky Doc Adams (Milburn Stone), who is with "Gunsmoke" to the far-from-bitter end, is on hand to patch up Dillon and to fail to persuade him to let his wounds properly heal before returning to work. Long-time saloon owner Miss Kitty (Amanda Blake), who gets out of Dodge in S19, also is on the scene. Watching her pursue a largely unresponsive Dillon is odd from the perspective of their subsequent close relationship with probable benefits. 

Although deputy Chester (Dennis Weaver) is on the payroll, it is surprising to see him be not-so-dedicated and to have a contentious relationship with the boss. Comic relief deputy Festus (Ken Curtis), who is the Barney Fife of "Gunsmoke," is not yet in Dodge. 

The next few S1 episodes further test the value of Dillon and his inner circle. These include convincing "upstanding" citizens that a neer-do-well will receive justice of a variety other than the frontier kind to which he is most deserving. 

The beginning of the end, which is brilliant living color and is a full hour, has Festus front-and-center when a prisoner transfer leads to his contributing sweat equity to the building of a church that an older pastor wants to build for members of a tribe that only recently has made peace with the settlers that oppose that project. 

"Manolo" continues the long history, including an S19 episode about Jewish settlers sticking to their own values, of cultural sensitivity that is a common "Gunsmoke" theme. This time the story centers around a group of Basque shepherds maintaining a coming-of-age tradition that conditions a son becoming a man on administering his father a major beatdown. As we learn, this practice does not make any allowance for pacifists. 

Team Dillon wraps up their saga-length run with the aptly titled "The Sharecroppers." This one also features Festus, who is conned into working the land despite being the injured party as to a duped innocent being tricked into buying the beloved mule of Festus. This truly leaves the audience wanting more and provides a strong sense that life in Dodge continues the same after the production team  rides off into the sunset.

Much of the fun of "Gunsmoke" is akin to watching "The Love Boat" in that virtually every past, current, and future television star  (as well as a few film stars) who is a SAG member during the run of the series guest stars. Bette Davis arguably is the most notable one; we also get Ron Howard, David Wayne, Joan Van Ark, Bruce Boxleitner, etc.

The plethora of special features include the CBSHE staple of episodes promos. We also get a tribute to Arness and  a very special feature that is a discussion with "Gunsmoke" experts Ben Costello and Beckey Burgoyne. 

The bottom line this time is that the truly do not make 'em like this anymore. 

Tuesday, May 5, 2020

'Alastair Sim's' School for Laughter' BD: Fantastic Four of Classic British Comedies

The Film Movement Classics April 14, 2020 Blu-ray release of "Alastair Sim's School for Laughter" awesomely continues this division of art-house god Film Movement giving timeless British comedies their due. This release also expands the Classics catalog of Ealing Films that are reviewed in the Movement section of this site. 

The scope of "Laughter" is akin to the recent (equally bonus-features laden) Classics BD collection "Their Finest Hour." This reviewed set of five films showcases Ealing WWII- themed productions that include the original version of "Dunkirk." 

The following Classics trailer for "Laughter" expertly schools viewers in each of the films in a manner that showcases the wonderful deadpan humor of Sim, who arguably is best known for his standard-setting portrayal of Ebenezer Scrooge in "A Christmas Carol." 


The fun begins with the wonderfully titled farce "The Belles of St. Trinian's" (1954). Sim plays the dual roles of the headmistress of the titular girls' boarding school and her neer-do-well brother. The success of Sim in pulling off this feat is one of many examples of this skills in this set.

The overall theme of the "Belles" is that the student body is comprised of a group of feral females that strikes fear in the hearts of the locals. For her part, headmistress Millicent Fritton must contend with both the wolves of Wall Street constantly at her door looking for loan payments and a faculty that is comprised of a highly disgruntled rogues' gallery.

These factors (in addition to the new "Eastland" girls) converge in a perfect comedic storm that drives much of the "Belles" action. A faction that figuratively has a horse in the race is competing with another faction that literally and figuratively has a horse in the same contest.

The central conflict results in there being a dorm resident who is a real nag. 

Next up is the original "School  for Scoundrels" (1960). This wonderfully dark comedy has Sim shining as Stephen Potter, who runs the titular "College of Lifemanship" that teaches decent folks who repeatedly are victimized by "scoundrels" to learn how to get the larger end of the stick.

"Scoundrel" Delauney (Terry-Thomas of "Munster, Go Home" fame) repeatedly being the Bluto (or Brutus) to the Popeye of Henry Palfrey (Ian Carmichael) prompts the latter to engage in continuing education so that he can school his rival and regain the primary affection of "Olive Oyl."

Although the dead-pan classroom aspects of "School" are highly entertaining, the best scenes are the "before" and "after" ones between Delauney and Palfrey. Watching these men alternatively get the upper-hand over the other is timeless classic comedy.

The bonus features include an charming and insightful modern interview with a film critic. 

"Laughter in Paradise" (1951) arguably has the most social commentary in this quartet. Sim plays one of four potential heirs in this variation of both versions of "Brewster's Millions." The right of each named beneficiary in the will to collect his or her share of the loot is conditioned on completing a 28-day task that is directly contrary to his or her nature. 

The mission of secret pulp-fiction novelist Denniston Russell (Sim) is to commit an offense that will make him a guest of the Queen until 28 days later. Watching him question local law-enforcement as to what crime will result in that specific amount of time is amusing. A shoplifting effort that goes comically awry is hilarious. 

Classics aptly wraps things up with "Hue and Cry" (1947), which is the first Ealing comedy. Sim once again plays a paperback writer, whose fiction provides the basis for actual heists by a criminal gang. This tale centers around a teen Hardy boy and his gang that must thwart the bad guys on their own.

The surprise ending truly is that. The less good news is that it involves a serious beatdown of our excitable boy, who already has experienced undue physical and emotional batterings in his quest for truth, justice, and the English way. 

Classics supplements this with trailers and "behind-the-scenes" features on the films. We also get the usual, but far from typical, written essay on the topic du set. ​

Monday, April 27, 2020

'Top 3' DVD: Animated Tale of Young Gay Romantic

The TLA Releasing March 10, 2020 DVD release of the cute and charming 2019 animated film "Top 3" is an amusing tale of the course of the first relationship of a young gay romantic. This amusing creatively drawn movie from Sweden with love tale clearly shows that love may not be enough to keep us together.

Anton, who is a student in his early 20s, has a habit of composing the titular short lists. These include things such as whom to tell the first time that you do not go home for Christmas, excuses for not going out on a Friday night during a low period, and the notable things to not do on your last night with your future ex-boyfriend. 

Anton experiences love at first sight on meeting younger-man David at the library near the end of the undergraduate studies of our hopeless romantic. This leads to a sweet courtship despite the resentment of Anton's hag Miriam.

David turning Japanese when his mother moves to Tokyo is the first trauma that causes drama for our leading queen, This leads to a summer of love at the rural home of the grandmother of Anton. This honeymoon period ending is the second bump in the relationship of these nice young men. 

Although these guys presumably have plenty of happy endings, the primary obstacle to them enjoying happily ever after is their different outlooks. Anton speaks for many of us all along the Kinsey Scale in stating that he does not want David to make a significant sacrifice today only to deeply resent his highly significant other a decade from now. 

This being a Swedish film and (presumably) not being one that airs on Logo results in there not being a guarantee of a Hollywood ending. It is guaranteed that the boys (and many viewers) will be older and wiser. 

Thursday, April 16, 2020

'Is Anybody Listening' DVD: Timely Documentary on Empathetic Support

The Indiepix Films DVD of the 2014 documentary "Is Anybody Listening" sadly has become highly relevant in our dystopian times that being under house arrest has greatly exasperated. The film discusses the non-profit Listen to a Veteran that "Anybody" writer/narrator Paula J. Caplan operates to give veterans a listening post in the form of open pair of ears and a shut mouth. The overall concept is that veterans know that even civilians with the best intentions in the world cannot understand serving in combat or even being a member of the armed forces. 

The following Indiepix trailer for "Listening" expertly conveys the solid theme and tone of the film.


Listen is the result of Caplan realizing after several retellings over many years that she merely was hearing her father tell the story of his experience as the leader of an all-black group of soldiers during the Battle of the Bulge in World War II. Her valid reasoning is that picturing her father going through that is highly traumatic. One of those soldiers participating in "Anybody" adds a great deal to the film. 

Caplan, who is a psychologist, also understands that veterans are unfairly stigmatized. She states that the conventional false wisdom is that anyone who wants to join the military does so out of a desire to kill. The rest of this inaccurate story is that having to kill and experience the other negative aspects of military life creates a mental illness. The stable and articulate veterans who participate in "Anybody" show that both perceptions are false. 

One especially likable veteran discussing the impact of military life hits a highly personal note that is relatable to most of us. A friend has kindly stated as to my concerns regarding the perception of my behavior during a long period of torment that I was reasonably acting in response to an unreasonable situation, The epilogue to this is choosing my current home because it on a corner lot facing away from other houses; I drive into the attached garage and have nothing to do with the neighbors. 

The bigger picture as to all this is that many of us avoiding "listening" to what we do not want to hear and that all of us need a caring judgmental person to take that hit. 

Monday, April 13, 2020

'Holiday' DVD: High Times' Vacation

The striking images and related spectacular cinematography in the Breaking Glass Pictures DVD release of the 2018 drama "Holiday" alone justify adding this film to your home-video collection. It also makes one wonder why Breaking does not spring for a Blu-ray release. 

The festival love for this entertaining tale of the trophy girlfriend of an abusive drug lord includes numerous top honors. These accolades include Best Picture at the 2018 Austin Fantastic Fest and Best Director at the 2018 Nordic International Film Festival, 

The following YouTube clip of a "Holiday" trailer does not do the style of the film justice but does provide a strong sense of the misogynistic elements and the counter-balancing theme of material girls with blonde ambition considering the boy with the cold hard cash to always be Mr. Right despite the cost of the relationship.

Early scenes have our heroine (pun intended) Sascha getting called out on a damsel-in-distress routine on the cusp of the extended titular vacation with aforementioned pusher Michael, This trip is to pimped-out villa in Bodrum on the Turkish Riviera, Their travel companions are the business associates of Michael and the significant others and children of those legitimate businessmen. 

Although lounging in the sun, playing games at the arcade, and clubbing is fun, Sascha soon learns the same lesson as her "sisters" that anyone who "marries" for money pays a high price for enjoying the lifestyles of the rich and loathsome. This includes having to put out on demand and dealing with a man whose temper (and temperament) essentially precludes finding someone to stick around out of love.

One of the best and most telling "Holiday" scenes has a bored Michael sitting in the bitch husband chair at a jewelry store while Sascha shops. This kept woman selecting emerald earrings aptly provides her a sense that she is not in Kansas anymore. Another way of looking at this is that it shows the intersection of her grasping greed and the combination of the lust of Michael and his desire to have a status symbol other than a tattoo on his arm. 

More drama enters the picture when Sascha strikes up an unsanctioned relationship with a yachting type. Handsome and kind sailor Thomas shares an intimate moment with Sascha, and both of them want more than a one evening stand. This prompts a jealous Michael to lure Thomas to the villa under false pretenses. The feral aspects of that evening show the true natures of both men.

The climax follows when Sascha plays a booty call gone wrong on Thomas; this leads to her becoming a girl interrupted who truly is dazed and confused. This adds to the morality tale aspect of this beautiful and compelling film. 

Tuesday, April 7, 2020

Real and Reel World Relationship Lessons as to Coronavirus Isolation

A highly personal aspect of the coronavirus isolation alone warrants this rare detour into Blogland on this review site.

I literally was laughed off the stage while reading an essay that very closely predicted our current nationwide lockdown in a college class a "significant" number of years ago. Mixed feelings as to being proven right are akin to admitted guilty pleasure regarding an abusive college roommate who currently has his 100 or so fast-food franchises shut down; I unequivocally feel badly for his workers.

Equally predictive, a few real and reel incidents are relevant to the increased amount of time that those of us in committed relationships spend with our highly significant others. This began with asking a 70-something friend when he planned to retire from the shop that he owned. He replied that he still worked because his wife had retired, and he wanted to give her an adequate break from him each day, 

This conversation roughly coincided with watching a DVD episode of the sitdoc "Curb Your Enthusiasm" about the daily life of "Seinfeld" co-creator Larry David; David inspired George Costanza.

Freshly separated fictional wife Cheryl tells Larry that she likes "Seinfeld" Larry better than post "Seinfeld" Larry because he was not home nearly as much when he was working on his "must see" series. That leads to a discussion of a little Larry being the right dosage of that man.

This also relates to a newspaper article several years ago about married couples buying a B n B with high hopes of happily running it together only to massively crack under the combined pressure of  keeping the business viable and being together 24/7. The college-era personal experience this time is offering ad hoc help at the Notchland Inn in the New Hampshire White Mountains when the owners offered dinner theater in the form of a combination of "Who's Afraid of Virginia Woolf" and "The War of the Roses." Current guests still tell the tale of hearing shouting and airborne utensils from the kitchen.

A final perspective is a friend stating years ago that he stayed home from work one day only to have his cats stare at him the entire time as if to say that he was not supposed to there at that time.

Returning things literally and figuratively close to home, I have been fortunate enough to work from home for a "significant" number of years. My highly significant other is an executive, who traditionally has worked at an office but has operated out of our kitchen for the past few days. That may last six weeks. 

Living in a 2,100 SF single-family home provides good personal space even during this lockdown; my joke that one of us may end up burying the other in the basement before home arrest ends may be a reality for couples with far less living space. 

When we first moved in together, I would have a few hours of alone quiet time before my highly significant other came home; a new job 90-minutes away resulted in me and our cat having the place to ourselves a few nights a week. I am considerate by nature, but not having to think about someone much of the time has become second nature. At the same time, I still am encouraged to call virtually all of the shots. 

I still enjoy exceptional accommodations as to maintaining my normal routine; at the same time, I feel self conscious about things such as watching really bad On Demand fare because it provides both variety and a sense that I am not entirely throwing the payment (which would not go down if I cut the cord) for television service. 

I additionally want to be a good "spouse;" Newly adopted Marlo and I were just vocally playing with the cat toy named Mr. Mousey (Mr. Elephant is way under the bed) when my highly significant other received a business call. Our literal cat-and-mouse game quickly ended without an iota of resentment. 

On a related note, I would feel badly for a client calling only to hear "Gilligan's Island" in the background. I did offer to watch television in the bedroom and was told that it is not necessary.

The bottom line this time is that someone being one of  the most important persons in your life does not mean that either of you want the other around all the time. Wanting "Seinfeld" Larry is understandable.