'World Without End' Blu-ray: CinemaScope Post-Apocalyptic Epic

The Warner Archive Blu-ray release of the 1956 CinemaScope scifi film "World Without End" once again proves the Archive commitment to releasing DVDs and Blu-rays that fit in awesome leitmotifs. In this case, it is bright and bold CinemaScope scifi B flicks.

The recently reviewed Archive Blu-ray release of "The Queen of Outer Space" starring Zsa Zsa Gabor is another member of the low-budget sci-fi movies section of the seemingly endless Archive catalog. Of course, these releases make a great double-feature gift for fans of good bad '50s scifi movies. A related note is that the back-cover liner notes for "World" state that it is the first CinemaScope scifi thriller.

Warner does its usual excellent job remastering both "World" and "Queen" for Blu-ray. The flawless images are crystal clear and incredibly vivid; the audio literally would allow hearing a pin drop. 

The numerous similarities between "World" and "Queen" are attributable to Edward Bernds directing both; he pulls double duty as writer on "World." A synopsis of the films is that red-blooded American astronauts crash their ship and get tangled up with space babes. This screams for a book on the psyche of Bernds. 

One difference is that "World" has more of an Irwin Allen feel than "Queen." This begins with a strong lost in space vibe, continues with stronger camaraderie among the macho men leads, and includes the stronger cheesy creature element. 

The four astronauts in "World" are on a data-collecting mission when a freak storm near Mars causes their ship to go wildly out-of-control. They awaken to find their vehicle stuck in the mother of all snow banks. 

The formulaic fun begins with the quartet discovering a massive spider web and soon wrangling with the not-so-sweet Charlotte who is its creator. The manner in which the group fends off this comical mutant establishes their approach to defending themselves from every savage foe.

The next adventure is straight out of "Queen." The men in both cases pay the price for lacking the foresight to assign someone to stand watch while the others sleep in their alien environment. The rude awakening in "World" comes courtesy of mutated cavemen.

The ensuing cat-and-mouse game results in the astronauts seeking refuge in a cave; that temporary refuge becomes more permanent on this tactic leading to the group entering the fortified underground world of the civilized inhabitants. This leads to reveals regarding where the space travelers have landed in time and space.

The honeymoon period quickly ends on the guests learning that their very timid hosts are unwilling either to help them repair their ship or use the resources that allow establishing an outpost on the surface. The aforementioned eye candy is some consolation; the new arrivals being far more macho in mind and body than the wimps who rule the place further enhances their status.

Of course, things soon come to a head in a manner that requires that every male man up. This initially leads to a wonderfully campy power struggle. This results in which is a happy ending on the surface (pun intended) but is horribly wrong from a more enlightened 21st-century perspective. 

The happy ending for us higher beings is that Archive allows us the treat of a "World" and"Queen" double feature. They truly do not make 'em like that anymore.

'In the Shadow of Women' DVD: French New Wave Style Look at Intricacies of Infidelity

The Icarus Films DVD release of the 2015 French drama "In the Shadow of Women" proves that this primarily documentary home-video distributor looks for "innovative and provocative" titles regarding its fictional titles as well. The strong documentary elements of "Woman" make it a particularly apt addition to the Icarus catalog.

The festival love for this future art-house classic include the Best Film honor at the 2015 Athens Panorama of European Cinema and the Best Actress win at the 2015 Seville European Film Festival.

The most overt documentary element in "Women" is central character Pierre being a documentarian whose spouse Manon fills several roles that include researcher and film editor. Additionally, filmmaker Philippe Garrel regularly provides exposition via voice-over narration. Having the camera largely follow the characters around and simply record their conversations and reactions to events further contributes to the cinema verite vibe of the film.

The film being in black-and-white enhances the French New Wave aspects of "Women."

The following YouTube clip of a film festival trailer for "Women" nicely highlights the artistry and overall Frenchness of the film.

The early scenes establish that Mannon working with Pierre is a holdover sacrifice from his days of struggling to establish his career. One reason that the couple still works together is that Mannon sees this as an opportunity to spend time with her husband.

The proverbial fateful encounter that jeopardizes many reel (and real) couples occurs when Pierre stops to help intern/grad. student Elisabeth bring several canisters of film to a parking lot. This leads to an affair that soon leads to indifference and boredom by Pierre, who believes that being a man entitles him to have an affair.

The response of Manon to the changes in Peter include starting an affair of her own. The response of Pierre to learning about that extra-marital activity is resentment and rage despite his knowing that Manon knows of his relationship with Elisabeth.

The "B Story" in the film revolves around Pierre and Manon interviewing a man about his experiences with the WWII French resistance for a film that Pierre is making on that topic. The drama related to that extends well beyond the subject being particularly personal to Pierre.

All of this leads to a somewhat surprise ending that shows the need for reflection and the related value of deciding what you will sacrifice for something that you think will more than offset that consideration,

Anyone with questions or comments regarding "Woman" is encouraged either to email me or to connect on Twitter via @tvdvdguy.

'Benji's Very Own Christmas Special' Blu-ray + DVD + Digital: Santa Delightfully Goes to the Dogs

The Mill Creek Entertainment November 6, 2018 perfectly remastered Blu-ray + DVD + Digital widescreen release of the Emmy-nominated December 1978 television special "Benji's Very Own Christmas Story" provides a great reminder that cute and charming holiday specials outshine darker modern fare. "Story," which does not involve the titular dog desperately wanting a BB gun for Christmas, also continues the solid run of Creek releasing "Benji" fare.

A shameless commerce note is that any child or child-at-heart is sure to love finding a bundle of the four Creek "Benji" releases, three of which nicely tie together, under the Christmas tree or the Hanukkah bush. The reviewed "Benji" has our hero rescuing two children from kidnappers. The also reviewed "For the Love of Benji" has the dog star travelling to Greece with the former abductees. The (review pending) "Benji Off The Leash" moves things in a "Touched By A Pooch" direction by having our shaggy star help people who face proverbially daunting challenges. 

The following YouTube clip of a trailer for "Story" describes the concept of the special and offers a glimpse of the rollicking fun of the story.​

Our story begins with Benji and his human co-stars Cindy Smith and Patsy Garrett from "Benji" and "Love" on a European publicity tour. We catch up with them in a charming Swiss village (which looks spectacular in Blu-ray) where Benji is scheduled to be the grand marshal of a Christmas Eve parade. The action commences when the trio meets the Kris Kringle (Ron "Fagin" Moody) who is going to drive the one-horse open sleigh in which they are going to ride. One fully expects that everyone will be laughing all the way. 

Kringle tells a portion of the story in asking his passengers to visit some fans who cannot attend the parade because they are working. The group agrees under the condition that they are back in time for the parade.

The grand tradition of abducting innocents (e.g., "The Polar Express") to visit the workshop of Santa continues with Kringle escorting his guests through a Narnia-style portal that transports them to where he and his elves make the magic happen.

This portion of "Story" includes an equally entertaining and educational segment in which Kringle utilizes clever exposition to show Benji et al. the images that many countries have of the man whom whom Americans call Santa. This ends with a truly delightful surprise.

The aforementioned rest of the story is that the Santa alleges that an injury prevents him from going on his appointed rounds. He already is preparing the elves to fill in but asks his new friends to help out as well. This portion of the program provides a reasonable believable explanation for Santa being able to deliver so many toys on Christmas Eve.

The inevitable happy ending comes via a clever twist at the end of a rousing musical number that puts the talents of Moody to good use. He is wrapping up an energetic song-and-dance routine when the final piece of the puzzle falls into place. This leads to the characters (and the audience) being in a better place than they were when the "Story"commences.

The special features include the cute "Benji at Work" television special. This one has '70s child-star Adam Rich host a behind-the-scenes look at our star making a movie. We additionally get a photo gallery of our pin-up pooch.

The bigger picture this time is that "Story" is the perfect holiday treat for what ails us. It reminds us of a kinder and gentler time in which reel and real people were pleasant and smiling; this was an era in which speaking your mind did not prompt counter-protests, scorn, and ridicule.

The world was not especially harmonious, but people at least were mostly courteous and did not declare war following even minor offenses. It even was a time that anyone could eat at any desired restaurants with confidence that he or she would not be ousted and/or harangued by fellow diners. 

The final comparison is that the term "whatever happened to peace, love, and understanding" is a lyric from an awesome song in the era of "Story" and a modern sense of what did happen to our regard for those who views clash with our own. Few can argue that this is one case in which the past is superior to the Christmas present. 

'La Familia' DVD Excellent Depiction of the Meaning of Family

The Film Movement October 2, 2018 DVD release of the 2017 drama "La Familia" provides a twofer regarding the always excellent foreign movies in the Movement catalog. This winner of two "Best Film" awards at the 2018 Miami Film Festival both presents a globally related story and provides American audiences a look at a world about which they know very little if anything.

The following YouTube clip of the official U.S. trailer for "Familia" illustrates the aforementioned aspects of the movie.

The early scenes center around the shockingly brutal life of 12 year-old Pedro in the slums of Caracas. The interactions between him and his fellow almost feral friends are brutal and shockingly crude.. A sadly relatable aspect of this is that it mirrors the life of inner-city kids in the United States. This is down to young kids recklessly playing with guns. 

An especially violent and emotionally disturbing confrontation ends in the accidental death of the malfeasor. Pedro catches a break in the form of his single father Andres discovering the fatally injured boy.

Immediately realizing that the incident puts an almost literal target on the back of Pedro prompts Andres to rush home and to just as quickly get his son to grab a few things and run. Typically of 12 year-olds everywhere, Pedro does not grasp the gravity of the situation. He properly notes that the victim is the aggressor but does not understand that that is irrelevant.

Most of the rest of "Familia" introduces Pedro to the life of his father. The real wake-up call comes when the the boy learns about the daily life of this man. The first stop is at the abode of a woman who seems to be a regular booty call., The not-so-warm welcome shows Pedro that adults have it rough, 

The next stop is the home of the wealthy woman who is having Andres doing painting. This lady of the house is perfectly represents the stereotype of the rich and/or famous. She and Andres discuss the work, and they haggle over his compensation.

Our pair then literally gets down to work. It is clear that Pedro dislikes this taste of the real world. The boy makes matters worse by generally whining and by nagging Andres about bringing him home. The dual frustration related to the haranguing involves Pedro creating the situation that requires staying on the run and his not understanding why he must be nomadic.

The subsequent events that further establish how hard Andres works to support Pedro also shows the rough life of working-class people in Venezuela. This involves working multiple service-industry jobs for little pay and less stability.

Filmmaker Gustavo Rondon Cordova literally and figuratively brings things home when Pedro returns to the scene of the crime. The news of the events since the unfortunate incident equally shock Pedro and the audience. 

Movement supplement "Familia" with the always well-paired bonus short that accompanies Film Club selections. The connection between "Les Miserables" and author Victor Hugo extends well beyond sharing the name of his arguably best-known novel. 

The common elements between"Familia" and "Miserables" begin with a street altercation in a rough part of town quickly going south. The 21st-century aspects of this tale of a rogue cop who exceeds the limits of his not-so-ethical partners include a drone capturing the incident.

The strong dystopian notes of both films reflect  modern poverty and the street justice that prevails. Th additional message in "Miserables" is the well-known 21st-century truth that a policeman no longer is your friend. 

'Dating Game Killer' DVD: Comprehensive Docudrama of Genuine Lady Killer

The November 13, 2018 Lionsgate DVD release of the 2017 Investigation Discovery docudrama "Dating Game Killer" offers awesomely nostalgic not-so-guilty-pleasure fun. The titular murderer/excitable boy Rodney Alcala (Guillermo Diaz) interrupts his at least decade-long killing spree to compete on the titular game show in the late '70s. It is estimated that his total body count is approximately 130.

Diaz ("Scandal") does such a good job playing a seducer/lurer of girls and women who range roughly from 8 through mid-20s that the audience gets a strong sense of watching Alcala himself. The impact of this performance includes Alcala fitting the pattern of being quirky but not not so outwardly creepy to raise suspicions. 

The victim who changes everything for Alcala is a young girl in the late '60s. Police detective Jim Hamell (Robert Knepper of "Prison Break") is at the right place at the right time in that he sees Alcala zero in on the girl when Hamell stops to use a pay phone. The spidey sense of Hamell results in hot pursuit that still is too late to save the girl.

The narrative shifts ahead 10 years; photographer Alcala (of course) lives with his blissfully ignorant mother and is fresh off his national television debut. This also coincides with Alcala perving on two teen girls at the beach.

The audience (and a not-so-good Samaritan) know that Alcala is keeping one of the teens at a wilderness area; we also know that the girl suffers her inevitable fate. The rest of the world only knows that the girl is missing and that a sketch of the man at the beach is a good likeness of that individual. 

This incident ties "Killer" together, The circumstances of the case adequately mirror the modus operandi of Alcala to prompt Hamell to come on the scene and impose his services on investigating officer Detective Ryan (Matt Barr). Hamell briefing his new partner-in-crime-solving on the activities of Alcala in the interim between the cold case and the warm one is an effective exposition tool. A primary aspect of this is the legal system repeatedly setting Alcala free to keep preying on women. A '70s element is the clear message that you do not want to get Alcala angry (or scorned). 

A really creepy period between the two crimes around which "Killer" centers around is a WTF stint as a photographer at girls' camp in New York state. The shock and awe commences with learning that an adult male manages to use a fake name to obtain a job that allows him largely unfettered access to underage girls. The disbelief continues with Alcala keeping that job after figuratively triggering enough red flags to be visible from space, 

"Killer" provides the additional perspective of Carol Jensen (Carrie Preston of "True Blood"), who is the mother of the missing girl. Having a child suddenly vanish without a trace is adequately traumatic; not knowing the fate of that offspring greatly compounds the issue; being certain of the identity of the perpetrator but the proof being insufficient to even bring him in for questioning seems unbearable. 

Hamell and Ryan subsequently and literally keep their distance as they watch Alcala to the legally allowed extent. This results in Ryan increasingly embracing the cause of making his suspect a guest of the state.

"Killer" literally saves the best for last in focusing on the legal proceedings that ultimately determine the fate of Alcala. The awesomeness of this includes virtually every entertaining aspect of the Hollywood depictions of trials, This further demonstrates that context is everything regarding whether such developments are amusing, pathetic, or tragic, 

The effectiveness of "Killer" relates to the story sadly being one with which the viewing public is very aware; the distinguishing elements are the quality of the people in front of and behind the camera. 

'Who Is America' S1 DVD: Sacha Baron Cohen Shows What Fools These Pols Be

CBS Home Entertainment chooses wisely regarding releasing the 2-disc DVD set of the 2018 Sacha Baron Cohen (a.k.a. Borat and Bruno) Showtime series "Who is America" on election day (a.k.a. November 6, 2018), This return of Cohen to a premium cable network series 15 years after HBO aired "Da Ali G Show" epically combines the best of in-your-face documentarian Michael Moore and character-driven comedian Tracey Ullman by having extreme alter-egos interview well-known politicians and activists and some relative and complete unknowns. 

"America" is best known for prompting the resignation of Georgia State Representative Jason Spencer after his inadvertent appearance on the second episode of the series. Cohen transforms himself into unconventional Israeli anti-terrorism expert Erran Morad to trick Spencer into figuratively and literally transforming himself into an ass regarding both identifying and repelling terrorists. The highlight of this hilariously absurd segment is Spencer dropping trou. (and boxer briefs) in an exercise that is designed to show him how to send a terrorist running for the hills.

The initial outing of Morad is even better and arguably is the best bit in the entire series. His S1E1 debut has him interview a gun-rights advocate who supports training children as young as three to use guns. The ensuing hilarity includes a video that promotes guns encased in stuffed animals. These include the Gunny Rabbit and the Uzicorn.

Two other characters who represent the polar opposites of the  political spectrum do "America" just as proud as Morad. Billy Wayne Ruddick, Jr. is an scooter-bound ultra-conservative. Watching both Senator Bernie Sanders and legendary newsman Ted Koppel shoot him down is beyond awesome. These segments additionally demonstrate the astonishing cool of Sanders and Koppel.

Another memorable segment has NPR t-shirt wearing Dr. Nira Cain-N'Degocella, whom press materials for "America" describe as "a Democratic activist and far-left lecturer on gender studies," conduct a public hearing in Kingman, Arizona. The meeting announcement includes that the topic is economic development; this notice also instructs attendees to leave their guns at home. The reason for essentially requiring checking your gun at the door is that group soon learns that the proposed project is a record-setting mosque. Suffice it to say that the residents do not support the project. 

Flamboyant aggressively heterosexual ultra-rich Italian fashion photographer Gio Monaldo earns mention for two segments. The girlfriend of Monaldo blatantly granting him sexual satisfaction while he discusses purchasing a huge state-of-the-art yacht is only the tip of the iceberg. (Pun intended.) The real shock and awe is in the form of the broker going along when Monaldo makes it increasingly clear that he intends to use the yacht for a horrendous criminal purpose. 

A later episode has Monaldo meeting with O.J. Simpson; Monaldo is representing himself as the liaison of a wealthy third-party who wants to meet Simpson. Monaldo lightly discussing killing a significant other while Simpson laughs along is highly effective, This definitely qualifies as one of the most disturbing bonding moments in television history.

The success of "America" relates to Cohen simply giving people enough rope with which to hang themselves. He does get them on camera under false pretenses and presents outlandish premises. However, he does NOTHING to coerce their responses. The lesser foils definitely all play along because the set up supports their views. Further, they seem to revel being in the spotlight just as much as any reality-show star. It is equally awesome that Sanders and Koppel distinguish themselves by not playing along.

The copious extras include deleted scenes and extended interviews. The latter include additional footage of a discussion between Morad and Dick Cheney. Highlights of the Cheney interview include Cheney autographing a waterboard and them discussing then Vice-President Cheney shooting a friend in the face during a hunting trip. 

'Play the Devil' DVD: Sugar Daddy Corrupts Innocent Boy

The Breaking Glass Pictures DVD release of the 2016 drama "Play the Devil" combines the two best genres in the Breaking catalogs; edgy indie films and gay-themed movies about mutual objects of affection facing strong internal and external pressures. The copious symbolism and social commentary are icing on the cake.

The accolades for this one include major wins at the Nashville and Woodstock film festivals.

The following YouTube clip of a festival trailer shows how tone and style perfectly convey the nature of the central relationship.

"Devil" begins with the mother of all non-sequiturs that writer-director Maria Goven artfully ties into the final moments of the movie, which qualifies as the mother of all symbolism in films. These opening scenes are of two young guys apparently engaged in a rite.

The action then shifts to teenage prodigy/thespian Gregory stealing the show with his starring role in a high school non-musical with an aptly strong "Equus" vibe. This leads to successful middle-aged businessman James (who has a daughter in the cast) coming backstage after the performance to nag (pun intended) James to attend a party at his house. The combination of the overture and this being a Breaking release makes it abundantly clear that James wants to get Gregory on his casting couch and that that effort will succeed.

The early scenes further establish that Gregory fits several stereotypes in both his impoverished community on Trinidad and in inner-cities in the United States. He is a bright, ambitious, likable teen living with his loving grandmother because his parents are not equipped to raise a child. Gregory also has an older brother with a drug habit and a live-in girlfriend.

The pure methods of James regarding his relationship with Gregory include a desire to mentor him and to use his resources to help him pursue his dreams, which clash with the aspirations that his grandmother has for him. The impurity comes via desiring benefits from the unlikely friendship.

The not-so-subtle seduction escalates to James luring Gregory to his luxury beach house for a sleepover. The more subtle response of our boy clearly shows that he accepts with full knowledge that the older man wants something other than gas or grass for that ride.

Getting Gregory into bed does not require plying him with wine (drugged or otherwise). At the same time, our innocent seems to be acting mostly out of obligation and has serious regrets the next morning.

Gregory wanting to end things, but James wanting more relatively free milk drives much of the conflict in the remaining portion of "Devil." Multiple desperate times leading to desperate measures in the form of accepting further assistance from James does not help.

All of this occurs in the period leading up to the annual Carnival festival, which centers around a confrontation with a symbolic devil. The nature of the event this year is particularly personal for Gregory.

The drama this time begins with the two worlds of James colliding in a manner that may end him up in divorce court and estranged from his daughter. We also see that he once again makes a misdirected civic-minded gesture.

This leads to the inevitable final confrontation between James and Gregory. Even folks who are unfamiliar with the nature of Breaking releases know that this conversation will either end with a kiss, bloodshed, angry words, or some combination of the three. The final outcome is more surprising.

The appeal of "Devil" is the aforementioned substance of the film. Most of us want someone younger and cuter; many upstanding members of the community with an outwardly ideal life that includes a loving wife and offspring feel repressed in one or more ways, and help always comes at least with a sense a obligation. The almost impossible challenge relates to achieving a measure of joy in a manner that does not leave scars.

The DVD bonus features include a "making-of" film and a separate extra that has interviews with Gowan and producer Abigail Hadeed.

Anyone with questions or comments regarding "Devil" is encouraged either to email me or to connect on Twitter via @tvdvdguy.

'Nightwing' & 'Shadow of the Hawk' Blu-ray Double Feature: '70slicious Tales of Terror on Indian Reservations

Mill Creek Entertainment embraces the true Halloween spirit regarding the October 23, 2018 Blu-ray double-feature release "Nightwing" (1979) and "Shadow of the Hawk" (1976). The common theme of both is terror on American Indian reservations. The other shared element is both shoot-on-location films greatly benefiting from the crystal-clear BD images showcasing the beauty of the Southwest and the the Pacific Northwest respectively.

"Nightwing" awesomely melds old-school horror with social commentary that remains relevant nearly 40 years after its theatrical release. The surprisingly strong pedigree of this entertaining B-movie includes director Arthur Hiller ("Love Story"), prolific composer Henry Mancini (original "Pink Panther" films), and star NIck  Mancuso. The A-list continues with the film being based on a story by well-known thriller noveilst Martin Cruz Smith, who additionally is a "Nightwing" screenwriter. 

The IMDb description "killer bats plague an Indian reservation in New Mexico" reflects the traditional "animals gone wild" element of "Nightwing." Hiller and Smith stick to the script by having the horror begin with discovering mutilated horses with mysterious wounds. That brings reservation lawman Youngman Duran (Mancuso) literally and figuratively into the picture, 

The tried-and-true continues with scientist Phillip Payne (David Warner) arriving on the trail of the aforementioned air-borne threat. He has been tracking the caravan of that threat to homeland security from south of the border and has dire news for the locals. The immediate potential for harm extends to two-legged animals; the bigger picture is that this swarm is using the area to fuel up before going to more populated feeding grounds. 

Of course, even Duran does not initially believe Payne but changes his tune after a comically campy attack on a group of not-so-good Christians. It is equally predictable that the rest of the population remains skeptical, 

The climax regarding this comes down to Duran going on a risky mission that runs the dual risks of his becoming a bride of Dracula and having his plan blow up in his face. The one certainty is that he is in deep guano. 

The new-school elements revolve around issues related to tribal politics; relative traditionalist Duran already is at odds with the leader of a more prosperous neighboring tribe that our hero believes has sold out to the white man. Discovering a valuable natural resource on the land of the tribe of Duran at the same time that the bats show up further complicates matters. 

The fun of "Nightwing" relates to the variation on man v. weaponized spiders, or bees, etc. These films provide plenty of thrills and chills while making us wonder if mosquitoes ever will become more of a threat than being a highly annoying insect.

"Hawk" has a more eerie feel. Jan-Michael Vincent stars as fully assimilated American Indian Mike who is enjoying an office job and good lifestyle when his grandfather Old Man Hawk (Chief Dan George) literally goes off the reservation to track down Mike and convince him to return to his roots. The rest of the story is that Hawk is tasked with keeping a legendary witch and her "monkeys" at bay; Hawk being convinced that he is about to die prompts a mission to get Mike to take his place regarding this effort. 

This reunion leads to Mike abruptly leaving a swinging bash at his bachelor pad to escort his grandfather home. The aforementioned minions are in hot pursuit and drive the pair (as well as the love interest who largely is along for the ride) off the road and into the woods. 

The eerie moments include Hawk and Mike each having several disturbing visions; we further get Mike engaging in a highly symbolic mission that culminates in an equally symbolic battle. 

The fun of "Hawk" begins with the generation gap that the roughly 50-year age difference and greatly divergent world views exaggerates. The extra enjoyment relates to the American Indian beliefs/superstitions. This is not to mention the '70slicious fight scenes.

The bottom line is that they do not make 'em like these anymore. The cast and crew all know their stuff; the premises are entertaining, and the gore is minimally, 

'Lost Child' DVD: Gothic Tale From the Trailer Park

One reward of more than a decade of reviewing home-video releases of indie films is watching already loved studios and distributors expand their catalog beyond their original scope.

Philadelphia-based Breaking Glass Pictures is a prime example. The recent Breaking DVD release of the 2018 drama "Lost Child" reflects this and provides a good companion to the (reviewed) Breaking August 2018 DVD release of the day in the life of teenage redneck film "Moss." These edgy southern-fried films are a great expansion from the edgy more substance than skin gay-themed films that Breaking continues adding to its catalog. 

A perfect example of the not-so-missing link in this evolution is the Breaking April 2017 release of "Fair Haven." This reviewed film has Tom Wopat of "The Dukes of Hazzard" playing the widowed father of a kind and gentle farmboy who returns from conversion therapy that does a great deal of harm and no good. 

The following YouTube clip of the Breaking trailer for "Child" highlights the Blu-ray worthy cinematography that features the Ozarks. This promo. additionally conveys the Southern Gothic vibe of the film.

"Child" opens with a seemingly obligatory scene for "you can't go home again" films about a boomerang kid who is a native son or daughter returning after leaving in disgrace years ago. The first images either are a bus rolling through the bucolic landscape of the area or get right to that public transportation pulling up to the center of the arena of action. The main character disembarks and gets into the old pickup of the ride to the childhood farm or shabby house in the woods that has a key role in the underlying angst.

Our tortured soul this time is recently discharged soldier Fern. She is returning to Clampett country after teen trauma that results in her moving out of the family home and then enlisting in the army. She moves back into the family house in the wake (no pun intended) of the death of her father, This relocation ties into a mission to find and care for her brother Billy. 

Life experiences taking their toll and general unease related to being a woman living alone in a cabin in the woods are enough to put Fern ill at ease. A neighbor with good intentions strongly urging her to get either a gun or a dog and the man down the street looking like he is straight out of "Deliverance" contribute to the tension.

Fern meeting the titular dirty but civilized 10ish boy Cecil in the nearby woods is the final element that puts all the pieces in place for "Child." The lad ain't talkin' but agrees to come home for vittles and to spend the night. A one-night stand returns to haunt Fern when she learns that the day job of bartender Mike is a social worker. Fern not wanting to subject Cecil to the evils of a foster home prompt her to agree to let him stay with her a bit longer.

Fern mysteriously getting sick and literally aging overnight prompts consulting a country doctor. This licensed professional attributing this condition to the presence of Cecil indicates this his method of providing healthcare does not significantly differ than that of Granny in "The Beverly Hillbillies."

The essential folklore is that a malevolent forest-dwelling spirit takes the form of a young boy and convinces a good Samaritan to take it in so it can do plenty of harm. Odd behavior by Cecil proves that he is own worst enemy.

Meanwhile, Fern reuniting with Billy involves the most surprising and disturbing twist in this extremely gothic film. Not only is he not glad to see his sister, he considers her a primary root of all past and present evil.

A familiar aspect of this is one sibling running off and not only failing to protect a brother or sister but leaving that person behind to contend with all the highly toxic family drama. In many respects, this is analogous to an alcoholic wanting to put things right with someone whom that drunk seriously hurt. The intent is noble and the need for redemption is strong, but related righteous resentment remains high.

The stress of Fern leads to drama with Cecil that supports the theory that he is not like other boys; this leads to the lad experiencing dreaded trauma. It additionally involves Fern playing Nancy Jo Drew by pursuing a lead regarding the identity of Cecil. 

All of this culminates in conclusions that make sense for a story set in a rural area that has a large of population of poorly educated people raised on superstition and harsh discipline. Breaking deserves strong credit for bringing this tale that does not sensationalize this culture to us city folks.

The quartet of DVD extras is equally consistent with the art-house style of "Child." Each special feature examines an aspect of the making-of the film. These include the production "process," the "story & performance," the Ozarks, and writer/director Ramaa Mosley. 

'Saved by the Bell: The Complete Collection' DVD: 'The Facts of Life' For the '90s

Shout! Factory releasing "Saved by the Bell: The Complete Collection" on October 2, 2018 is the latest example of Shout! awesomely furthering the Unreal TV mission of saving classic and cult-classic sitcoms from obscurity. The scope of this set including EVERYTHING from "Bliss" to "Vegas" allows once-and-future fans and newbies to the halls of Bayside High to fully embrace the Zack Attack spirit of the series, Shout! releasing comparable complete series sets of virtually every program that this post mentions provides a sense that that distributor is the perfect home for "Bell."

Shout! notes that the presentation order of the episodes has the seal of approval of producer Peter Engel. Further, it seems that the episodes are the original broadcast versions. 

The main thing that earns "Bell" its place in pop culture history is the perfect blending of elements that begin with arguably a happy accident, The majority of the cast first appear in the 1988-89 Disney Channel series "Good Morning, Miss Bliss." The intended focus of that series is the titular eighth-grade teacher (Hayley Mills of "The Parent Trap") in Indianapolis. In true Disney-style, John F. Kennedy Junior High is clean and lacks any of the ills that plague most junior highs and high schools,

The intended formula is an "A Story" that centers around the personal and/or professional life of Carrie Bliss; the "B Story" revolves around a tween problem of a student, who almost invariably finds equal parts solace and solution in the figurative arms of Bliss. 

The pilot illustrates both the aforementioned formula and the reverse lesson of most sitcoms that the adults provide most of the appeal in the series. Bliss starts a romance at the same time that cute and charming scamp Zack Morris (Mark-Paul Gosselaar) faces his summer-camp girlfriend being a JFK student. The "sit" that provides the "com" this time is that eighth-grader Zack told the girl that he was in the ninth grade. 

The classmates of Zack include nerdy Samuel "Screech" Powers (Dustin Diamond) and BAP Lisa Turtle (Lark Voorhies). Richard Belding (Dennis Haskins) is their principal. 

The talent of Disney for finding cute young male actors with the exuberance of puppies on caffeine pills pays off large both for Gosselaar and for tweens, teens, and tweens and teens at heart all over the world., This demographic adores Goselaar, who can be considered the older brother of  Ross Lynch of the Disneycom "Austin and Ally." Early clips of Lynch show that he has the same charm and enthusiasm as "Bliss" era Gosselaar. The parallels continue with both actors subsequently literally showing in mind and body that they are all grown up.

Disney not renewing "Bliss" sets the mental gears of Engel in motion; he sees perfect symmetry between the "Bliss" kids and the dearth of Saturday-morning fare that targets the aforementioned 12-and-up demographic, This leads to transferring all of the aforementioned characters except Bliss to Bayside High in southern California.

The copious insight in the numerous special features include the intended homage to classic sitcoms in "Bell." Casual observance indicates that this show is a modern-day "The Many Loves of Dobie Gillis." The central everyteen embroils his oddball outcast best friend in schemes to make high school easier and/or best his rival for the hot girl. We learn that Engel actually has "The Phil Silvers Show" (a.k.a. "Sgt. Bilko) in mind with charming conman Zack lavishing praise on authority figure Belding while running circles around him. 

The aforementioned appeal of Gosselaar results in Zack immediately establishing himself as the center of "Bell" and the BMOC at Bayside. Introducing jock/Army brat A.C. Slater (Mario Lopez) brings in a Reggie to give "Archie" serious competition before those boys figuratively (if not literally) kiss and make up later in the series, The two other new kids on the block are girl next-door/object of the affection of both Zack and Slater Kelly Kapowski (Tiffani-Amber Thiessen) and literal girl next-door/feminist/scholar Jessie Spano (Elizabeth Berkley).

Both the high school and "College Years" of the gang largely focus on comic variations of teen and post-adolescent angst. We have boys making fools out of themselves in elaborate efforts to get girls, boys seeking to take rivals out of the picture, trying to pass driver's ed., facing tough teachers, outlandish schemes to earn money to conceal "sins," rifts between friends, etc. 

The broadest insight that Engel provides in special features in "Collection" is that "Bell" relatively accurately depicts the high school experience. A stated objective is to support viewers who either are in high school or are anxious about what they will face on achieving that milestone. The effectiveness of that effort including most of the cast portraying his or her actual age evokes thoughts of Gosselaar once dissing fellow teen series "Beverly Hills 90210" by commenting that he was not 30 when he was in high school.

The comments of Engel triggered the thought that kids often are included in a series to provide a relatable character for their real-life counterparts; this led to memories of being a prep. school boy whose academic career paralleled that of the older "Facts of Life" girls. That particularly enhanced the experience of watching  the high-school years of Blar and Jo. 

The parallel continues with "Life" undergoing significant S2 changes that set the tone for the rest of the nine-year run of that show. 

Like "Life," the high-school years of "Bell" are the best. "Jessie's Song" that has the titular over-achiever develop a hilariously dramatic addiction to caffeine pills is cemented as a top-ever campy TV episode. We also get Zack using his powers (no pun intended) for good rather than evil when he learns that Kelly cannot afford to attend the prom. This arguably is when Kelack becomes destined for the "Wedding in Vegas" around which the 1994 TV movie that wraps up their story is centered, Zack having to become an American gigolo with Gilbert Gottfried playing his pimp is one of several ways that that film supports the policy that what happens in Vegas stays in Vegas. 

The comprehensiveness of "Collection" allows the enjoyment of "Bell" to extend beyond seeing Zack proportionately physically and emotionally mature; the detailed episode guide facilitates picking and choosing your favorite episodes and/or eras. The aforementioned bonus features, which include interviews with most cast members, provide additional perspective that evoke happy thoughts in current fans and will encourage new devotees to embrace the spirit of the series. 

'Black Sails' CS Blu-ray: Michael Bay Tales of 'Treasure Island' Pirates of the Caribbean

The Lionsgate October 16, 2018 complete-series Blu-ray release of the lush and lavish 2014-17 Starz series "Black Sails" is the perfect way to get in the mood for lush and lavish Oscar contenders that are sure to hit the big screen in December. A related note is that the beauty and the well-orchestrated complexity of the 38 episodes in this four-season series require savoring it as much as "binging" on a gourmet meal ruins the experience and makes you feel unwell after the experience. 

The two Sound Editing and one Special and Visual Effects Emmys that "Sails" wins illustrates that executive producer Michael Bay puts his talents for grandeur and explosions to good use. Shooting the series on location further enhances the episodes. 

The first bit of shameful commerce is that the incredible audio and video of the Blu-rays and the copious truly special features (more below) make choosing this set over watching it on Starz or streaming it a no-brainer. A related note is that these attributes make this roughly $50 set a perfect gift for anyone who likes period pieces, pirates, and/or the Caribbean. Although stealing it from a brick-and-mortar store honors the theme of "Sails," such behavior is completely unacceptable in 2018.

The first confession is admitting to never having read the source material of this prequel to the classic Robert Louis Stevenson novel Treasure Island. The only recognized name in "Sails" is that of a pre-Long John Silver, whose fame extends to having a descendant  with a successful film career. The second confession is that "Sails" not being conducive to binging limits the scope of this review to the first two seasons; the final two will be watched in the next several weeks.

Our tale of the courage of the fearless crew that pirate captain leads begins in 1715, which is roughly 20 years before the time period of Island. The "civilized" world allows pirates to rule New Providence Island and the capital of Nassau. There is prosperity and more peace than can be expected in a place that operates in this manner.

The pilot episode perfectly sets the tone and hooks the audience; Silver soon shows himself to be the Dr. Smith of the merchant ship on which he is a crew member. Rather than help his fellow seamen fend off an attack by dread pirate Captain Flint and his pirates of the Caribbean, Silver hides in a locked room. While there, Silver obtains paper with the information that Flint is seeking.

Silver subsequently further keeps up with the Smiths in falsely asserting to the pirates that he is the cook, which is a valued position on any ship. This leads to Silver literally jumping ship to join the crew of Flint. A later incident shows why Jewish people label pork as trayf. 

The pilot also educates viewers about the rules of law that govern pirates; Flint soon learns the harsh reality of any pirate captain being like a prime minster in that he serves at the pleasure of the crew and can be voted out anytime. A related aspect of this is that pirates are compensated in the form of a percentage of the booty that they plunder. Raids such as the one in which Silver is the catch-of-the-day that do not net any treasure result in Flint facing a challenge to his leadership.

This law of the sea is fascinating because it illustrates both that not much has changed in 300 years and that the means by which formal governments operate is not much different than the rules that pirate ships follow. The response to the new candidate for captain include below-decks politics that are equivalent to back-room deals. The more entertaining part is the false accusations and a confrontation that many politicians clearly would relish.

After surviving the challenge to his leadership, Flint once again devotes most of his attention to pursuing his personal white whale. The object of his obsession is the Urca de Lima, which is a ship that Flint believes is heavily laden with gold. The contribution that Silver can make regarding that quest is the only thing that has him avoid walking the plank.

Meanwhile back in Nassau, 18th-century Ivanka Trump Eleanor Guthrie is operating the brokerage business of her absent father, The basic system is that Eleanor buys the cargoes that the pirates liberate from their former owners; Guthrie then sells the goods. The risks to her continued good fortune include the sins of her father and a push to terminate the rule of the pirates. 

A whorehouse with relatively liberated employees is the third side of the commerce triangle in Nassau; the first season shows how all three elements inter-relate and make strange bedfellows.

Speaking of prostitution, one of the best S1 scenes involves a negotiation for a recreational facility during the 18th-century equivalent of dry dock. One spoiler is that this discussion prompts the fun of chanting "Fuck Tent! Fuck Tent! Fuck Tent!" This also involves a cute scene in which an invitation for a "quick fuck" clearly involves pup tents but does not necessarily include the filthy whore.

We additionally get flashbacks to the aforementioned civilized world; these provide context that include showing how becoming a pirate makes Flint an entirely new person in more ways than one; this insight includes other members of the "Sails" crew. 

The pursuit of the Urca is central to much of the S1 action; we also see how the related issues of maintaining peace and conducting commerce in Nassau create strange and shifting bedfellows; a notable aspect of this is a pirate crew learning the true meaning of the expression "don't fuck with me, boys." Another scoundrel who cannot produce a strong and sturdy mast discovers that Hell hath no fury like a prostitute left unsatisfied. 

S1 ends on a terrific note that demonstrates the true meaning of the expression "so close, yet so far away."

As other reviewers note, "Sails" fully finds its sea legs in S2; it seems like deja vu all over again when we see pirate captain Charles Vane raid a merchant ship. The defeated crew peacefully surrendering creates an expectation that Vane is going to do things the easy way. We soon learn that Homie the pirate don't play that. This leads to Vane even more aggressively seeking dominance over the pirate community. 

S2 additionally provides the second chapter in the pursuit of the Urca treasure, which aptly becomes a bargaining chip in pursuits of happiness. The S2 finale aspect of that aptly is pure gold and heightens excitement regarding S3. 

The new girl in town also becomes a bargaining chip on a few levels, She is being held hostage for ransom but also is a valuable peace offering in events that determine the future of Nassau. This prompts a sort of a homecoming in which more secrets are revealed and regarding which it seems that thieves are the only one with any honor. All of this (and several other developments) offer Bay a chance to stage the epic battles for which he is so well known. Other mayhem comes in the form of slit throats and orchestrated "accidents."

Students of history and folks who use a Google search as a half-assed form of cheating know the outcome of the power struggle for New Providence Island; "Sails" shows that getting there is all the fun.

The bigger picture this time is Bay putting a more realistic spin on "The Pirates of the Caribbean" franchise and "The Pirates of Penzance" operetta sparks interest in early 18th-century world history. Everything is even more connected in that era than it is now, and we see how things evolve. We further learn that there are at least 50 shades of gray between the titular canvases under which the pirates sail and the white sails of the "good" guys.

The Blu-ray for each season has copious spectacular special features that demonstrate the love of the cast and crew. The S1 bonuses focus on creating the series and the oft-mentioned historical context. This culminates in several S4 roundtable features on topics that include "The Legends of Treasure Island" and "Fearless Fans."

This incomplete discussion of "Sails" proves that there is more than enough reason to get on board regarding the series; it truly is a unique series with feature-film quality acting and cinematography.

'Key Largo' Blu-ray: More Proof that Bogie and Bacall Had It All

The Warner Archive Blu-ray release of the 1948 Blu-ray release of the 1948 noir classic "Key Largo" provides a chance to add it to your collection of perfectly remastered films (including the recently reviewed "Dark Passage") starring Mr., and Mrs. Humphrey Bogart. The magic of Blu-ray allowing custom-made marathon viewings validates that the sexual chemistry between Bogart and Bacall equals that of Affleck and Damon. One difference is that no pop songs celebrate the magic regarding Batt.

This John Huston film further is notable for having a particularly strong Orsonian quality is that it has the look and themes of a Welles films. This is on top of the live-stage feel that is attributable to "Largo" being based on a play of the same name.

The opening scenes prove that the reputation of Bogart precedes him. The audience believes that his character Frank McCloud is involved when the local po po stops the bus on which he is traveling to search for less than honest injuns who are fugitives from justice. We quickly learn that McCloud is as clean as a brothel on a Tuesday afternoon.

The real fun begins when a hostile motley crew provides McCloud an unfriendly welcome on his arrival at a tourist hotel on the titular Florida island. This shady lot includes drunken floozy Gaye Dawn (Claire Trevor in an Oscar-winning role). Dawn aptly steals the show in a later scene in which mob boss Johnny Rocco (Edward G. Robinson) literally makes her sing for her liquid supper. 

The reception thaws on the group learning that WWII vet McCloud is there to visit the family of a man who served under him and who died in combat. Bacall plays Nora Temple, who is the widow of the dead soldier. Lionel Barrymore shows much of his broad range in playing the wheelchair-bound father of the man/hotel owner James Temple. The beloved James additionally is the unofficial mayor of Key L:argo. 

McCloud shows bad timing for him and perfect timing for the audience in arriving hours before a highly symbolical hurricane is due to hit the island. Everyone in front of and behind the camera plays his or her part especially well regarding the increasing barometic and other pressures ahead of the weather event, 

Things escalate to the point of Rocco holding McCloud and the Temples hostage as Rocco, his thugs, and his moll both wait out both the storm and the arrival of a business associate.

Huston PERFECTLY stages the confrontations between Rocco and McCloud and/or Temple. These typically include exchanging philosophies.

The foul weather ceasing does not coincide with the storm blowing over. McCloud and Rocco still have a score to settle and Nora needs to discover if she can connect with her "Nick" in time. 

The above discussion of "Largo" provides many reasons why this Blu-ray is worthy of inclusion in your film library. The broader perspective is that the film is a perfect example of how great they used to make them and of they don't make 'em like that anymore. 

It is difficult to imagine assembling a dream team that is comparable to a director like Huston working with such a talented cast that both can give nuanced performances and play off each other as well as this group,