The star power of "Neighbors{" begins with "SNL" castmates John Belushi and Dan Aykroyd playing the leads; the behind-the-camera talent include Larry Gelbart of the "M*A**S*H" television series writing the screenplay.
IMDb does particularly well describing "Neighbors." This synopsis states that "a quiet man's peaceful suburban lifestyle is threatened by the new, obnoxious couple next door."
The aforementioned personal aspect relates to enduring years of regular torment from the "rock-throwing teen" and his family on the other side of a wall in my former townhouse; part of the insult regarding this injury is this townhouse being an upscale one.
The numerous incidents include at least one week of heavy renovations every month, the lad with three felony arrests by his junior year in high school stealing my packages and cursing at me as he drove by on the street, and Mom showing up at my door to talk for a few minutes before standing zombie-like in the hall.
An even more relatable perspective comes courtesy of a classic sitcom; like most folks, I laughed at nosy neighbor Gladys Kravitz getting hysterical over the witch across the street only to not have anyone believe her. Experiencing comparable angst changes your outlook to sympathizing with Kravitz regarding no one accepting the truth.
Our story begins with middle-aged middle-class Earl Keese (Belushi) coming home from his most likely middle-management job to his wife of 16 years Enid (Kathryn Walker). They are spending their typical boring evening at home when the arrival of Vic (Aykroyd) and Ramona (Cathy Moriarty) at the previously empty house next door harshes the mellow of the Keeses.
Aykroyd playing a psychotically loud, crude, and manipulative character is within his range of screen personas. Belushi playing a dorky mouse is a departure for that comic genius; Moriarty steals the show as the over-sexed slutty Ramona,
Both Vic and Ramona quickly cross all reasonable boundaries on being the vampires whom Earl invites into his home. It is not long before Vic has emptied the wallet of Earl and Ramona is in his bed.
This film with a strong live-stage vibe continues with Vic and Ramona teaming up to separately and jointly push his buttons. This relates to the reel and real-world phenomenon of a toxic neighbor gleefully exploiting a sore spot.
The evening activities include an attempt by Earl to counter Vic taking his car going horribly wrong, Earl locking the boy and the girl next door in his basement in an effort to get them out of his house, and Vic being very crude with the punk daughter of Earl; a line about edible panties arguably is the best joke in the film.
Gelbart pulls off the neat trick of delivering an entirely unexpected surprise ending; this shows that '80s primetime soap "Knot's Landing" lacks a monopoly on cul-de-sac neighbors developing intimate relationships.
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