The international and timeless appeal of "Walking" stems from modern audiences from all over the world being able to relate to at least portions of the experiences of 14 year-old Martin in 1976 small-town Denmark. This credibility also reflects director Niels Arden Oplev stating in an interview on the DVD that the film is based on the real-life of the author of the memoir on which "Walking" is based. The strong acting by the main cast further helps sell the story.
An alternative context is that the coming-of-age, the large number of quirky characters, the role of death, and the moderate element of assorted forms of sexuality make "Walking" seem like a John Irving novel.
The following YouTube video of the SPOILER-LADEN Breaking trailer for "Walking" provides a storng sense of the above elements.
Everything changes on a completely unprepared Martin arriving home; Family friend Lizzi tearfully tells the boy that his mother is dead. This leads to Martin facing his bereaved father and his 16 year-old brother Jens, who is almost completely out of his mind.
The rites of passage in the form of losing a parent and formally declaring himself to God while also having a range of sexual urges combine to prompt Marin in transitioning from a boy to a man. Anyone of either sex who fully shares a life with an adult male knows that the truth is that the inner boy always asserts himself.
The female object of the affection of Martin is classmate Kristine. Our grieving horn dog uses his recent loss to his advantage regarding his pursuit of this girl. Further, Kim is following a bros before hos attitude in giving Martin first crack at Kristine.
The numerous memorable moments in"Walking " further make it notable. We get Martin showing his lack of game (but not necessarily lack of success) in trying to get some on multiple fronts, losing it in an unexpected (but very symbolic) manner at the funeral of his mother, and having a cute and loving intimate encounter with a terrific humorous element. Another highlight involves Martin and his crew trying to catch his father in the act.
Oplev provides an especially good payoff in having the mayhem lead to the Confirmation;; young blonde Martin wearing an ascot and an open shirt makes one think that he has a mystery to solve.
More fun, tears, and recriminations come in the wake of the Confirmation. A jealousy-fueled heartbreaking betrayal equally affects Martin and viewers, we get a moment in which we see Jens living one fantasy of teen boys, and Martin finds that he has one last rite of passage to endure.
The central theme regarding this eventful 108 minutes is that every male of every age needs a mother. This role often falls to someone other than the person who gives birth to you. She is who listens to your problems, supports you regardless of whom you love, and cleans you up without judgment when drinking too much results in covering yourself in a soup of every possible bodily fluid except blood.
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